⏩ In the fascinating world of César Jones, filmmaker from La Plata, we uncover how his background in Audiovisual Communication, Philosophy, and Psychology fuels his experimental cinema, challenging the conventions of traditional porn. CÉSAR JONES in an interview with NOISE is the Message.

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🎚️ Signal Flow =⏩⫸
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█ #ONTHISROUTE: CÉSAR JONES. In an interview with NOISE is the Message.

👉 An author transforming porn into an artistic and reflective experience

«…there are things beyond their control and it would be clumsy to want to control them…»

—| CÉSAR JONES

🖖🏽 CÉSAR JONES in an interview with NOISE is the Message

The filmmaker and pornographic cinema author, César Jones, appeared on the radar of El RUIDO in 2010. Months before the launch of this project, it was in the editorial office of the newspaper El CIUDADANO & la Región, the name that this graphic venture had at that time, and it was alongside another name, Víctor Maytland. At that moment, a pseudobiographical film was premiering featuring Maytland himself, accompanied by Adrián Martel, a former actor from Alberto Olmedo‘s casts.

This is how we first met César. In that context, and a few years later, we managed to establish the first contact. Since then, we have observed how this filmmaker’s artistic life has consolidated, thanks to his persistence in a denigrated, misunderstood genre that is constantly subjected to value judgments.

His work speaks for itself, and it is here that the work becomes César’s voice, who has been working in the genre for over 20 years. He is a fundamental reference in the southern part of the continent and, with his professional dedication, seeks his place in the ranks of the industry, in his own way and at his own pace.

🐚 Thank you César, for patiently sharing so much passion for art.

💻 About our PROCESS

We usually equip our audio files with a significant amount and variety of processes, mainly because we adhere to two important principles we’ve learned over the years. The first comes from the cinema of Andrei Tarkovsky, an artist we admire daily, not only for his work but also for his commitment to it. The second is based on layer work, where one part we inherited from Phil Spector and the other from Walter Murch.

This time, our process focused on breaking the linearity a bit and clarifying the message to be communicated. Overprocessing the audio didn’t seem worthwhile this time; therefore, we brought it to the forefront. Yes, we made some adjustments in the editing with our friend editor, Oceanaudio, and from the montage, which, although it may not be noticeable in the end, required two days of work.

The montage was done in Ableton Live 11, and then we tagged the different audio files with TAG&Rename Portable. We are aware of the importance of including details such as BPM, artist, work, year, and genre in each file, along with authorship and composition credits. This is crucial, especially in a world where some still believe that one person’s work can be attributed to another.

Thus, a new NOISE is ready to be shared, carrying with it the essence of our sonic philosophy and the awareness of archive preservation.

📣 Thus, we release a new NOISE of the 2024 cycle.
📝 Interview conducted by Franco Falistoco 🇦🇷 & Gerardo Figueroa Rodríguez 🇨🇱 in March 2024.

We listen to selected works in El NOISE:

• Derry Moore: Fuller transitivo (Frag)
• Derry Moore: Hazle la pregunta a la nada (Frag)
• Derry Moore: Todo será con bien (Frag)
• Derry Moore: El elegido (Frag)
• Derry Moore: The Dreamma’ (Frag)
• Derry Moore: Hacia el escenario
• Derry Moore: Fin de la entrevista

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Be part of listening in the vast landscape of Sounds.

NOISE is the Message | 2024

We recommend the Use of HEADPHONES.
Tech Specs:
✪ Audios recorded in Reaper with SHURE, AKG and Zoom H4n & H3-VR microphones and recorders.
✪ Sound edit in OceanAudio, Mix, radio montage and mastering to platforms in Ableton Live.
✪ Binauralisation process with dearVR AMBI MICRO.
✪ Production: Franco Falistoco A. and Gerardo Figueroa Rodríguez (GFR) to NOISE is the Message.
Thanks to CÉSAR for their sounds, words and recommendations.

We share our NOISES in the 2024 season, in these houses.