23: «Dame Evelyn Glennie»

«I think the thing with silence is that it can’t really be measured.»
—| Evelyn Glennie.

NOISE is the Message | NOISE2023E23

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█ #FREQUENCIES: Dame Evelyn Glennie is a percussionist and has had a successful career performing all over the world either as a performer or commissioning new works for percussion as a soloist.
She has received numerous awards and accolades including an OBE, 2 GRAMMYs and the Polar Music Prize. She is also actively involved in teaching and inspiring the next generation of musicians through masterclasses and consultations, as well as through her charity, the Evelyn Glennie Foundation.

Evelyn has been accompanied by acute deafness since the age of 12.

With this brief introduction, we share our conversation with the artist.

Interview conducted in May, by Franco Falistoco and Gerardo Figueroa Rodríguez.

We Listen:

► Evelyn Glennie, Fred Frith: Arriving (Frag)
► Evelyn Glennie, Fred Frith: Taiko (Frag)
► Evelyn Glennie: Thea Musgrave “Journey Through a Japanese Landscape” (Concerto for Marimba and wind Orchestra) I. Spring (Frag)
► Evelyn Glennie: Born to Be Wild (Frag)
► Evelyn Glennie: Sorbet No.1 Latin American Interlude (Frag)
► Evelyn Glennie: Michi (Frag)
► Evelyn Glennie, Fred Frith: Metal (Frag)
Useful Links:

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«Dame Evelyn Glennie» | El RUIDO es el Mensaje — 2023

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Be part of listening in the vast landscape of Sounds.

NOISE is the Message | 2023

We recommend the Use of HEADPHONES.
Specs: audios recorded in Reaper with SHURE, AKG and Zoom H4n & H3-VR microphones and recorders. Mix, edit and radio montage in Ableton Live. Binauralisation process with SOUNDSQUARE.
Production: Franco Falistoco and NOISE is the Message with Gerardo Figueroa Rodríguez (GFR).
Advice and consultancy in Sound Engineering, Binaurality and Immersive Audio: Sol Rezza.
Special collaborations: Daz Disley, Enrique De Rosa Giolito.
Thanks to ♥Evelyn♥ for her sounds, words and recommendations.

Submit your Press & #LISTEN material: prensa[@]elruidoeselmensaje.com
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